It’s amazing to think that Eddie Vedder has been part of our lives through music for 23 years now. I’m sure none of us will ever forget the first time we heard that voice.
For me, it was 1991 and MTV started playing a little known song called “Alive” by a new band called “Pearl Jam“. Like most, I’m sure – the melody simply wouldn’t leave my head. Playing, over and over.
A good friend of mine managed to get hold of their album – Ten, and passed it on to me. I rushed home, put the CD in my little CD Walkman player and turned the volume up.
My life totally changed in that moment.
Hearing “Black” for the first time actually brought me to tears. Here, finally was a band, a singer that connected with me in ways I’d never known before. A little switch went off in my head on that day, it’s never switched back.
I feel fortunate to have discovered Pearl Jam and Eddie Vedder at such a young age, growing up on songs and lyrics that had a depth and meaning to them, at times pointing me in a different direction with my own writings that maybe I wouldn’t have taken.
I’ll be forever grateful for the music and the memories that I have because of Eddie and the band, even now — still giving me some of the greatest days and nights of my life. Hopefully there are many more to come.
So, thank you Eddie Vedder for the music and have the happiest of birthdays.
External and internal issues and pressures meant we reached a point at the end of last year where we had simply fallen out of love with what we were doing. When you spend so much time listening, reading, learning, researching and practicing every minute detail of something you love and care about so much, there’s always a danger of becoming burned out at some point.
One of the things we’ve always taken pride in, is our total commitment to the cause, so carrying on felt like we’d not only be cheating ourselves, but YOU – the wonderful people who travel endless miles and spend your hard-earned money to give you the most accurate and authentic performance of Pearl Jam‘s music possible.
Spending the first half of the year avoiding anything and everything to do with Pearl Jam, we were slowly sucked back in due to the European Tour Pearl Jam were undertaking in support of their album “Lightning Bolt”. After not seeing each other for most of the year, we bumped into each other at the Pearl Jam Leeds Arena gig.
It’s safe to say we completely and totally fell back in love with the band in a big way after witnessing a show that is already being talked about as “historic”.
A few days after the show, we talked about getting back in a room together and a rehearsal was booked. From that first rehearsal onwards, we’ve never sounded better. We played like we’d never been away, learning new songs and polishing the old – even now finding details in songs we thought we knew inside out.
There’s a renewed sense of purpose and a dedication to uphold our status as “The Worlds Greatest Pearl Jam Tribute” and we’re all genuinely excited for the future once more.
We have some big news to announce soon, so stick with us. We promise it’ll be worth it.
Tickets are selling fast for our only show of 2014! Get yours now before they’re gone!
Eddie Vedder’s performance of “Imagine” from his July 18 concert in Portugal is available now on iTunes.
Proceeds from sales will go to Heartbeat.fm, an organization that provides opportunities and spaces for young Israeli and Palestinian musicians to work together, and amplify their voices to influence the world around them.
Welcome back to the (new) official website of Pearl Jammer – The Worlds Greatest Pearl Jam Tribute.
It’s been a long time coming after taking most of the year off, but we’re back, re-focused, re-energised and ready to go!
We’re currently working hard at home and in rehearsals, listening to Pearl Jam’s amazing catalogue of music, studiously picking apart every nuance, watching every video so we can learn as many new songs as we can to add to our already incredible setlist.
The website is also undergoing an overhaul, with content being added all the time. Bear with us whilst we catch up with everything.
It’s exciting for us to be back playing this wonderful music and we’re looking forward to seeing you wonderful people once again at our shows.
It really is an honour and a privilege to perform these songs, so together let’s scream our lungs out until it fills the room…
After the disappointment of last weeks show in Newcastle, we were itching to move on and play the kind of night we know we’re more than capable of.
The Diamond, situated just outside Nottingham seemed like the perfect way to exorcise the demons of disappointment.
The venue itself on arrival, seemed a bit nondescript — situated on the edge of a housing estate, we were slightly worried it was going to be a bit “phoenix nights” if truth be told. However, like an Aladdin’s cave, once inside we were lifted by the venues charm and obvious history. It was akin to a Rock Cafe vibe, with gig posters on the walls from years gone by.
Soundcheck went well, utilising the time to have another full run through of “Deep” (the pre-tour pain in the ass song…) which settled any nerves we may have had, along with “Corduroy”, “Daughter” and “Wash”.
We hit the stage at exactly 9.15pm, opening with the now-typical “Wash” into “Once” combo that Pearl Jam seemed to favour on this tour, before working our way through the rest of the set they played some 21 years ago.
“Garden” has become probably our favourite song to play at this point, along with a special mention for “Leash” — which tonight finally clicked 100%. I felt like we finally owned the song and played it without any thought or trepidation, with the performance reflecting this confidence we’ve grown into.
The second set kicked off with “Elderly Woman…” — back in tonight’s set, as it’d been a while since we played it last, also keeping with true Pearl Jam tradition of rotating songs as often as possible.
My throat was in quite a bad way tonight (something I felt in the days leading up to the show) and Worldwide Suicide is probably the hardest song in the Pearl Jam catalogue at the best of times, but it (oddly) seemed to help the performance.
Having heard the new Pearl Jam single “Sirens” last night, it’s been on repeat ever since. I fell asleep listening to it and woke up this morning and pressed play once more — finding myself in a constant loop.
I don’t recall being this overwhelmed by a song in a long, long time and that (for me) is the strange thing about this piece of music…
On first listen, I thought “great”. A well crafted song with good dynamics, well performed (as always). Usually, I can listen and just know I’m going to fall in love with a song. Sirens though, took me by surprise, because all the talk pre-release was about how (in the words of Brendan O’Brien) this song was “one of the best they’ve ever written”.
Big words indeed and surely too bold a claim to leave at the door of a band into their 23rd year of existence?
Sirens is everything you’d hope it would be and more.
The song starts out innocently enough, with Mike McCready strumming a 12 string acoustic whilst Matt Cameron interjects with some (almost) November Rain type drum-fills, but it’s Stone Gossard‘s guitar weaving between the space created that hints at what is to come.
The verses are executed perfectly by Eddie Vedder, who sounds as good today as he’s always done — weaving a lyrical tapestry in a way only he can, setting up the story and giving just enough information to reel you in, but with enough ambiguity to make you question exactly what the song is about.
The chorus is big, but not overtly bombastic — keep just enough restraint to avoid the territory of Nickleback and the like, who wouldn’t know subtlety if you shaved the word into Chad Kroeger‘s shit beard.
In fact, it’s not until 4 minutes 45 seconds into an almost 6 minute song that the true crescendo is unleashed.
That final 1 minute 15 seconds is amongst (or possibly even) the greatest that Pearl Jam have committed to tape in my opinion. It only works in such a way, because of the deftness of hand they displayed up to that point.
As someone once said to me, “the true sign of genius is the one who can use his best ideas sparingly” and it feels almost as if 3/4 of the song was a teaser for the final reveal.
I was excited for Lightning Bolt before I’d heard anything, mainly because it seemed like the band were going to give it a real push — which to me suggested they had something they were very proud of.
If this song is anything to go by, then we’re all in for an album that stands proudly next to their greatest work previous.
Hear the sirens Hear the circus, so profound I hear the sirens more and more in this here town
Let me catch my breath to breathe and reach across the bed Just to know we’re safe I am a grateful man This life has been a light and I can see clear how to take your hand, and feel your breath or feel this someday will be over I hold you close, so much to lose knowing that nothing lasts forever I didn’t care before you were here I danced with laughter with the ever-after But all things change. Let this remain.
Hear the sirens covering distance in the night The sound echoing closer, will they come for me next time? Oh every choice, mistake I’ve made, it’s not my plan to send you in the arms of another man And if you choose to stay, I’ll wait, I’ll understand
It’s a fragile thing, this life we lead If I think too much, I can’t get over Wound by the grace by which we live our lives with death over our shoulder Want you to know that should I go I always loved you, held you high above too I study your face, the fear goes away
It’s a fragile thing, this life we lead If I think too much, I can’t get over Wound by the grace by which we live our lives with death over our shoulders Want you to know that should I go I always loved you, held you high above too I study your face, and the fear goes away The fear goes away The fear goes away The fear goes away
Well, last night (and today…) will go down as the most eventful gig we’re ever likely to play.
The day started out well enough. We were all excited to play Manchester for the first time (as this band) and at a venue that had played host to some great bands over the years.
We arrived at the studio early (for once…) and had the van loaded up and ready. We were awaiting the arrival of our guitarist Rob (“Mike”) and we were “good to go” when events took a strange turn…
My phone starting ringing, and it was Rob trying to call.
Me: “Hello” Rob: “Hello, Kev (his voice cracking with emotion)… erm, I’m sorry — I’ve been in a serious car crash…”
Without relaying the entire conversation, in short, a motorbike driving at an estimated 60/65mph in a 30mph zone drove into the back of Rob’s car, completely writing off the car and bike in the process whilst launching the driver over the top of the car and into a tree.
We quickly set off to see Rob and make sure he was ok. Playing the gig at this point, seemed highly unlikely and being honest, it was the furthest thing from our minds.
Arriving at the scene and explaining who we were (the road was cordoned off), my exchange with the first police officer went something like this:
Me: “Hi, I’m here to see if my friend Rob is ok. We’re in a band together and were meant to be in Manchester an hour ago” Police: “What band?” Me: “Oh, just a tribute to a band called Pearl Jam. I’m sure you’ve never heard of them…” Police: “I’ve heard of Pearl Jam. I’m quite into Punk too. Did you play at Revolver Venue (Wirral) a few months ago?” Me: “Erm, yeah…” Police: “Ah, yes – my Daughter went to see you play. I’m coming with her in October to watch you too…” Me: “…”
With that, he let us through and after waiting a further 45 minutes, we finally got to see and talk with Rob. We were surprised when he said he wanted to play the gig.
We were told by another police officer at the incident that we “probably won’t be making it to Manchester tonight” so we called the promoter and said “I don’t think we’ll be playing…” – the gig was off.
After a further wait of around 30-40 minutes, the news came through that Rob was free to go and with that, the gig was back on!
It seems the driver of the bike only broke both ankles and wrists, whilst skinning one of his legs to the bone…
Not to be callous, but doing 60-65mph in a residential area with a limit of 30mph, I think he got off lightly. But there you go.
So, we arrived at Manchester over 2 hours later than intended and proceeded to set up and sound check in record time (mainly thanks to our engineer/wizard “Ben”).
After sound check, we stepped outside the venue and by chance two Transport Police decided they were going to do a “stop and search”. For drugs. On Rob. His day was becoming almost comical…
The gig itself was, like the ones before it — as good as it gets. In what is now becoming “the norm” (and something that we in no way take for granted), people sang every word, danced, jumped and generally helped us create that “Pearl Jam in a club” vibe that everyone (maybe even the band themselves?) pines for.
We played a “Ten” set for the first part, before a “greatest hits” set for the second.
It’s so hard choosing from the 50 or so songs what to play at the best of times, but even harder still when the first 3/4 are already chosen for you. But, that again shows just how great a band they are.
As always, a pleasure and a privilege.
Next up, Newcastle!
p.s The morning after the gig, my girlfriend was also involved in a car accident when a car failed to stop at the lights and drove into the back of her. Strange end to a strange weekend.